‘I Had to Evolve with the Business’: Method Man Talks Ageism In Hip-Hop

Clifford Smith Jr., also known as Method Man, opened up about age discrimination in the music industry during an interview with Essence magazine.

Smith rose to fame as a rapper in hip-hop group Wu-Tang Clan in the early 1990s before ultimately going solo in 1994. He continues to do group and solo musical endeavors, the latest being the 2018 release of his sixth studio album “Method Man Meth Lab Season 2: The Lithium.”

Method Man talks about ageism in the music industry and why he shifted into acting. Photo:@methodmanofficial/Instagram

Aside from music, Smith’s first acting role was in 1998’s “Belly” alongside Nas and DMX, and he had a breakout role on the acclaimed early 2000s HBO series “The Wire.” He is currently starring in “Power Book II: Ghost” as defense attorney Davis Maclean. The 50-year-old told the publication for their February digital cover issue about how he’s adjusting to acting after being in the music industry.

Smith said while recounting the shift in his career path as an aging rapper in the early 2000s, “There was a changing of the guard in hip-hop. I was cool with that. I had to evolve with the business, and if that meant acting, so be it. I was going to throw all my eggs in one basket.”

In the conversation, he also explained how executives weren’t willing to give him an opportunity when he wanted to primarily focus on acting because of a failed moment early in his career. That event included a 2004 short-lived series with his close friend Reginald “Redman” Noble, titled “Method & Red.”

Smith said, “The higher-ups, the so-called gatekeepers, didn’t have much use for a 44-year-old rapper…I guess my background turned some people off. Some people aren’t willing to give you a chance, especially when you’ve already had one and you kind of squandered it.”

He wrapped his comment by disclosing the show’s failure stemmed from his and Noble’s lack of passion for “Method and Red.” Smith stated, “We had our own show, We had our own movie —2001’s “How High”— but our hearts weren’t in it. We had one foot in and one foot out. You can’t do that in this business. You have to be ten toes down or not at all.”

Since the blunder, Smith’s acting credits include recurring roles in “Blue Bloods,” “The Deuce,” “The Last O.G.,” and “Godfather of Harlem.”

Independent journalism still matters.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top