Does Beyoncé Embody the Spirit of Yoruba Deity ‘Oshun’? A Nigerian Artist Explains 

HBO

Beyonce Oshun

Nigerian artist Laolu Senbanjo saw his paintings brought to mainstream audiences when Beyoncé displayed his work in her HBO short film. The singer’s “Lemonade” visual album aired as a one-time-only event April 23 and displayed his work in the fourth segment.

The chapter is called “Apathy” and features the song “Sorry.” According to ABC News, the artist’s body paintings – called “Sacred Art of the Ori” – cover dancers as they sway in and around a bus. Beyoncé herself was also covered in the white Yoruba paint as she recites a poem by Somali-British poet Warsan Shire.

When asked if he thinks the “6 Inch” singer embodies the Yoruba Orisha of womanhood named Oshun, Laolu believes she does.

“Oshun is supposed to be very beautiful, and I mean just in the sense of beauty alone you can already see that in Beyoncé,” the artist says to ABC News. “She is also very in touch with herself and very much about spirituality, giving, sensuality and power – all characteristics of Oshun.”

The likeness isn’t just limited to physical appearance, however. Laolu said Beyoncé was able to embody Oshun’s feelings, too.

Buzz Nigeria

Buzz Nigeria

“There are very different sides of Oshun, like her anger, which you [see] Beyoncé channel in parts of the video, like the part when she bursts open the door in her yellow dress and floodwaters come out.”

Buzz Nigeria said the now 34-year-old, who is also a musician, quit his job as a human rights attorney in Lagos to do art full-time. He told ABC he’s thrilled at what the “Lemonade” hitmaker is doing for African culture.

“Beyoncé is tapping into her roots, and it’s so amazing honestly – to see African [art] coming to the forefront and being seen by millions of people. She is telling our story of the past, present and future through her art, and I’m so happy to have been a part of it.”

But there’s at least one person giving Bey limited praise. Atlanta Black Star reported Azealia Banks initially praised the singer’s use of the African goddess in her imagery.

https://twitter.com/AZEALIABANKS/status/724042294538698752?ref_src=twsrc%5Etfw

https://twitter.com/AZEALIABANKS/status/724042565469790208

https://twitter.com/AZEALIABANKS/status/724045165145534464?ref_src=twsrc%5Etfw

Banks later changed her mind and accused the Houston-born star of using Oshun as a prop.

https://twitter.com/AZEALIABANKS/status/724675380666372097?ref_src=twsrc%5Etfw

https://twitter.com/AZEALIABANKS/status/724782641552199682?ref_src=twsrc%5Etfw

 

Independent journalism still matters.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top