Laz Alonso: After TV and Movies, Directing Maybe Next

Known for his television roles on shows like A&E’s Breakout Kings, TNT’s Southland and NBC’s latest hit Deception, and his characters in films such as Jumping the Broom (2011), Just Right (2010) and Avatar (2009), Laz Alonso has made quite the name for himself in Hollywood throughout the years. And now, with primetime TV shows under his belt—not including his appearances on shows such as Entourage and CSI: Miami— and award-winning movies to his name, fans can only wonder what Alonso has planned next.

As the Cuban-American actor is “a huge fan of Mark Wahlberg,” and commends him on his extreme business savvy, Laz is ready to produce award-winning entertainment like that of his colleagues.

“Ideally, I want to create shows, I want to create films and write films and star in them,” says the Howard University Business School graduate. “I directed my first short [film] last year. It was a three-minute short … it was my first directorial debut, my first stab at directing, and I loved it. I love being behind the camera. That’s something that I want to really push in 2013.”

So as the Washington D.C.-born actor looks to take over Tinseltown before the year is up,  the 39-year-old businessman discussed his love for acting, the importance of business and education in an ever-changing industry, and his sexy co-star, Meagan Good. This man may have graduated from Howard and pursued Hollywood, but don’t fall for the deception because he’s just right!

Q: Deception just finished its first season. What was it like for you to act in such an intense role?

A: Well, one thing I don’t like to do is play the same role twice. I try my best to constantly change it up and either by virtue of the script and the story, play something different, or take it upon myself to play something different. I loved everything about Will Moreno’s character when I read the script. He’s very much not your typical FBI agent.

Read more: Black Enterprise

Democracy needs journalism it can trust.

This election season, the stakes are higher than usual — and so is the pressure on newsrooms to soften their coverage, stay quiet, or just disappear. Independent reporting, the kind that answers to readers instead of advertisers or political pressure, matters more in a moment like this, not less.

For over 14 years, Atlanta Black Star has stayed independent and reader-funded. We have no corporate owner and no shareholders telling us what to cover or how to cover it. That independence is also our biggest vulnerability: nothing protects it except readers choosing to fund it directly.

Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under in a moment like this, it's rarely the independent, reader-funded ones that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top