Azealia Banks: “I’m Not Some Little Light-skinned B*tch Out Here”

Harlem rapper Azealia Banks is stunning as she lays on the chest of electronic dance music super producer Diplo on the cover of this month’s Vibe magazine. While her music has garnered her the attention of music fans across the world, it’s her mouth that has the spotlight here in America.

When asked whether she felt her buzz in America was built more on controversy than her music, the 21-year-old MC couldn’t disagree more.

“Of course, because Americans are distracted by sh*t like that,” she says. “It’s like, ‘listen, T.I., if I was a f*cking boy you wouldn’t say anything to me.’ But when I’m a girl and I say something back, the media wants to turn it into all these different things. Rappers beef all the time. I said what I said about [Iggy Azalea] and kept it moving. Then a month later you said what you said. And it keeps coming up. Leave it alone. I didn’t say she couldn’t rap. I said something very real. Out of everything, she had to [call herself] ‘a runaway slave master’? C’mon, that’s not swag. That’s not fly s**t.”

How would you describe your fans?

I think my true, hard-core fans are people who enjoy being bad. People who enjoy drinking and smoking, but wanna get it together and just don’t know how. When you really listen to my music you hear a girl who’s going through the motions. She’s experiencing men, having money, not having money, people who are trying to tell her she’s not cute, people telling her she can’t rap, she can’t dance… She’s really dealing with life. I’m not some little light-skinned bitch out here. It’s a young Black girl doing this for herself, by herself. Y’all can’t keep trying to pin me up against the wall. Hip-hop has to help me not let this slip through my hands.

While there are some who love Banks’ take-no-prisoners attitude, there are some who question her intentions behind calling out artists via social networks such as Twitter. Female hip-hop pioneer Lil Kim became her most famous target after Kim declined to make a song with her.

“That’s what we did, and that s–t is over. Yo, listen, [Lil’ Kim], this black cloud you got over you—don’t try to push that over me. You can keep that, because as soon as I released ‘Jumanji’ is as soon everybody forgot about you. I have my hand on the dial; I can control how hot and cold you are right now. So I’m not even going to give it to you. I tried to make a legitimate track with you, tried to collaborate. I was bigging her up and she keeps throwing it back in my face. I tried.”

Democracy needs journalism it can trust.

This election season, the stakes are higher than usual — and so is the pressure on newsrooms to soften their coverage, stay quiet, or just disappear. Independent reporting, the kind that answers to readers instead of advertisers or political pressure, matters more in a moment like this, not less.

For over 14 years, Atlanta Black Star has stayed independent and reader-funded. We have no corporate owner and no shareholders telling us what to cover or how to cover it. That independence is also our biggest vulnerability: nothing protects it except readers choosing to fund it directly.

Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under in a moment like this, it's rarely the independent, reader-funded ones that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top