Viola Davis Opens Up About Fear, Responsibility Behind ‘Sexualized’ Role in ‘How to Get Away With Murder’

(ABC/Craig Sjodin)

(ABC/Craig Sjodin)

In more ways than one, Viola Davis proved to be a trailblazer with her stellar portrayal of professor Annalise Keating in How to Get Away with Murder, but during a roundtable discussion for The Hollywood Reporter she admits that she was initially afraid to take on the role.

It’s hard to imagine anyone else other than Davis snatching off wigs and false eyelashes on live television while still serving up a flawless portrayal of a sexy, powerful woman who still has a plethora of skeletons building up in her closet.

It’s a unique representation of a Black woman that isn’t often seen on the small screens today with the vulnerability and complexity that Davis brings to Keating. But with the character getting into relatively uncharted territory, Davis knew that she had quite the challenge ahead of her.

“There was absolutely no precedent for [the role],” Davis said. “I had never seen a 49-year-old, dark-skinned woman who is not a size 2 be a sexualized role in TV or film. I’m a sexual woman, but nothing in my career has ever identified me as a sexualized woman. I was the prototype of the ‘mommified’ role.”

With her role in “The Help” being of her most popular big screen appearances in recent years, there is certainly enough evidence to support Davis’ statement.

With so many other older Black women being pushed into such “mummified” roles, Davis decided this was her chance to drastically shake up the Hollywood landscape.

“This is your moment to not typecast yourself, to actually play a woman who is sexualized and do your investigative work as an actor to find out who this woman is, and woman up and put a real woman on TV who’s smack-dab in the midst of this pop fiction.”

But even as she accepted that responsibility, she knew what kind of backlash she might receive for the role.

“I was going to have to face a fact that people were going to look at me and say: ‘I have no idea why they cast her in a role like this,’ “ She added. “ ‘She just doesn’t fit. It should have been someone like Halle Berry. It’s her voice, and she doesn’t walk like a supermodel in those heels.’ And people do say that, they do.”

Despite such naysayers, however, Davis has refused to let any negativity impact her work and she constantly speaks about how the role has allowed her to push the boundaries of what is considered a sexy, beautiful woman in Hollywood.

Democracy needs journalism it can trust.

This election season, the stakes are higher than usual — and so is the pressure on newsrooms to soften their coverage, stay quiet, or just disappear. Independent reporting, the kind that answers to readers instead of advertisers or political pressure, matters more in a moment like this, not less.

For over 14 years, Atlanta Black Star has stayed independent and reader-funded. We have no corporate owner and no shareholders telling us what to cover or how to cover it. That independence is also our biggest vulnerability: nothing protects it except readers choosing to fund it directly.

Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under in a moment like this, it's rarely the independent, reader-funded ones that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top