Remarkable Black Actresses Leave Their Mark on Broadway

 

Playwright Katori Hall

To be featured at one of  New York’s famous Broadway theaters is a great and difficult accomplishment for any actor, musician, playwright or director. Over the years, many  black women have worked hard to achieve the highest success in commercial theater. Some  have made it to Broadway, yet their success is little known and little celebrated.

African-American women today still face challenges to the Great White Way, as they have in the past, but some remarkable women have overcome obstacles and have seen their names in lights.

The legacy of success of black women in Broadway started with Ethel Waters in 1927. She became the first black woman to appear on Broadway in the production of Africana. In 1949 she became the second African-American woman, after Hattie McDaniel, to be nominated for an Academy Award for the film Pinky. Outside of acting, Waters is known for her blues, jazz and gospel singing. Waters broke the color barrier time and time again, becoming the first black woman to perform on television, and to be heard on the radio.

 

Juanita Hall became the first black woman to win a Tony Award in 1950. She won this award for her Best Supporting Actress in the musical South Pacific for her role as Bloody Mary. Hall performed as Bloody Mary in 1,925 performances on Broadway at the Majestic Theatre. Hall continued a career in acting and was featured numerous times on Broadway and on television.

 

On March 11, 1959, A Raisin in the Sun opened on Broadway at the Barrymore Theatre, making Lorraine Hansberry the first black woman to have a play produced on Broadway. With the success of A Raisin in the Sun, Hansberry became the youngest playwright and fifth woman to receive the New York Drama Critics Circle Award for Best Play. Hansberry’s life and career as an author, activist, and playwright was cut short when she died of pancreatic cancer at the age of 34.

 

In 1972, Vinnette Justine Carroll made history by becoming the first black woman to direct on Broadway with the musical Don’t Bother Me, I Can’t Cope. This musical was such a success that it was nominated for four Tony Awards. Carroll’s success continued in 1976 with Your Arms Too Short to Box with God, which received three Tony Award nominations.

 

Phylicia Rashad became the first black woman to win the Tony award for best leading actress in a play in 2004. Although she may be best known for her role as Clair Huxtable on the sitcom The Cosby Show, Rashad made history only nine years ago when she won the coveted Tony  for her role as Lena Younger in Lorraine Hansberry’s A Raisin in the Sun. Rashad can also be seen as Lena Younger in the 2008 film version of A Raisin in the Sun.

Still independent.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top