Jamie Foxx Talks Slavery, Filming on Actual Plantation for ‘Django Unchained’

You can count the major American movies that deal with the issue of slavery on one hand. When it hits theaters Christmas Day, Django Unchained will be one of those raised fingers — most likely the middle one. In it, Jamie Foxx plays Django, a slave freed by Christoph Waltz’s bounty hunter who is on a quest to save his wife from the lair of monstrous plantation owner Calvin Candie (Leonardo DiCaprio.)

While the film itself is a rollicking spaghetti-western homage, it doesn’t shy away from portraying the systemic brutality of America’s original sin, and some wonder whether doing so will court controversy. Foxx is not one of those wondering. “You know it’s going to be controversial!” he exclaims. “That’s what’s been blowing my mind, people saying, ‘[sotto voce] Did you know this was going to be controversial?’ It’s like, come on man! Did you read the script? Why would Quentin Tarantino do anything that wasn’t controversial? What movie of his have you seen where you went, “Oh, this is a Hallmark Movie and rated G”? That’s not what you sign up for. You don’t sign up for that.”

Still, Foxx met with a number of prominent black entertainers to get their read on the project, including some who were at one point in contention for the role, like Will Smith and Idris Elba, and others who weren’t as gung-ho about the gunslinging as he, like Tyler Perry. But Foxx believes his experience growing up in small-town Texas — where he learned what it’s like to be treated as the “other” and endured the still-present reverberations of bigotry — helped temper his approach…

Read more: Keith Staskiewicz, EW

Democracy needs journalism it can trust.

This election season, the stakes are higher than usual — and so is the pressure on newsrooms to soften their coverage, stay quiet, or just disappear. Independent reporting, the kind that answers to readers instead of advertisers or political pressure, matters more in a moment like this, not less.

For over 14 years, Atlanta Black Star has stayed independent and reader-funded. We have no corporate owner and no shareholders telling us what to cover or how to cover it. That independence is also our biggest vulnerability: nothing protects it except readers choosing to fund it directly.

Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under in a moment like this, it's rarely the independent, reader-funded ones that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top