Gary Clark, Jr. Collaboration with Alicia Keys, Crucial to His Crossover Ambitions

Gary Clark, Jr., hopes that his major label debut album — “Blak and Blu,” due Oct. 22 on Warner Bros. — will show that he’s more than just another Austin, Texas, guitar slinger with hot chops and fast fingers.

“I’ve been associated with the blues guitar guy thing, and that is a major part of what I do,” Clark explains to Billboard. “But I was influenced by and love all sorts of music. So for my first major label album, I wanted to just put all that out there and write and record that and experiment with all kinds of sounds rather than play straight-ahead blues or whatever single genre and then bring in the weird stuff later. I think I might as well introduce myself as a weirdo first and get it out of the way and see what happens. It doesn’t sound like people expect, which I think is cool.”

“Blak and Blu,” produced by Clark and Mike Elizondo and recorded earlier this year in California, certainly shoots wide, including the brassy psychedelic soul of “Ain’t Messin’ ‘Round,” the Prince-like R&B flavors of the title track and “You Saved Me,” the rock ‘n’ roll boogie of “Travis County” and the rustic, front porch, lo-fi feel of “Next Door Neighbor Blues.”

Clark says shooting wide is actually “easier” for him than sitting in one musical place.

“The R&B and soul stuff kinda came first,” he recalls. “I was into Curtis Mayfield stuff, Otis Redding, Motown, Stax type of albums and then Prince, Ready For The World, stuff like that. Those melodies, those sounds were in everything I was listening to. I started diving into the blues when I got to be about 12. I don’t really think of it as one thing being easier or harder to approach than the other; it’s just all part of my musical influence, kind of a natural progression.”

Clark says Elizondo was a perfect fit to collaborate on such an eclectic album. “He had really cool ideas without being overbearing, and it was a really laid-back, chill environment to make music,” he recalls. And Clark plans to push the musical envelope…

Read more: Billboard

Still independent.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top