Don Cheadle on Realities of Hollywood: Miles Davis Biopic Needed a White Co-Star to Get Off the Ground

don-cheadle_612x380_0Oscar-nominated actor Don Cheadle told reporters at the Berlin International Film Festival that he needed a white co-star for his passion project on Miles Davis to appeal to foreign markets.

It is “one of the realities of the business that we are in,” he said, that films with all-Black casts are thought to have little chance of distribution outside the United States and don’t attract investment.

Cheadle dreamed of telling Davis’ story, so he went to Indiegogo to fund the film. The successful campaign raised about $360,000, but that was just the tip of the iceberg.

Cheadle plays the lead role in Miles Ahead, and also writes and directs the film. His honesty about the business behind filmmaking adds an interesting angle to the #OscarsSoWhite controversy.

He implies that Hollywood refuses to produce “Black” films because the world is a racist place and movies with Black people don’t make money. However, that way of thinking has been trumped because of films like Creed and Straight Outta Compton. But those films have a common element: a white co-star. They also had high-profile white actors like Paul Giamatti and Sylvester Stallone.

“There is a lot of apocryphal, not proven evidence that Black films don’t sell overseas … I think it works great, and particularly the fact that Ewan McGregor is the actor who is in it, I think he is fantastic in the movie. But that was a component of … allowing us to even have a budget to get the film made, ” Cheadle explains.

Miles Ahead focuses on the later years of Davis’ career. By the 1970s, Davis is addicted to cocaine and his music is not selling as well as in years past.

McGregor will play a shady Rolling Stone reporter who gets stonewalled when he tries to convince Davis to give him a lengthy interview. But he eventually gains the star’s trust when he helps him recover a tape of new material stolen by a hoodlum, according to AFP News Agency.

The film is currently screening at the Berlin International Film Festival until Sunday.

Still independent.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top