With the Success of Black Shows on Television, Is This a New Day for Diversity?

EMPIRE: Cast Pictured L-R: (Bottom Row) Bryshere Gray as Hakeem Lyon, Jussie Smollett as Jamal Lyon, Trai Byers as Andre Lyon (Middle Row) Grace Gealey as Anika, Kaitlin Doubleday as Rhonda Lyon (Back Row) Gabourey Sidibe as Becky, Terrence Howard as Lucious Lyon, Taraji P. Henson as Cookie Lyon and Ta'Rhonda Jones as Porsha on EMPIRE Season 2 premiering Wednesday, September 23 (9:00-10:00 PM ET/PT) on FOX. ©2015 Fox Broadcasting Co. Cr: James Dimmock/FOX.

EMPIRE: Cast

The past two weeks have been big for Black TV.

Viola Davis won an Emmy for her work on the Shonda Rhimes show, How to Get Away with Murder. Regina King won for her work on American Crime and Uzo Aduba took home another Emmy for her work on Orange Is the New Black.

Last week, How to Get Away with Murder, Empire, and Black-ish premiered to huge audiences, with Empire leading the way, attracting over 16.2 million viewers. The shows join Scandal, Being Mary Jane, Sleepy Hollow, The Flash, Power and others to a growing list of programs with diverse casts.

Many people are wondering if this is the golden age of Black TV, mimicking the 1990s when almost every major network had a popular TV show with a Black majority cast.

Added to the mix of new shows with a Black lead is Morris Chestnut’s forensic procedural, Rosewood, which premiered on Fox to an audience of 7.2 million, which Entertainment Weekly reports was better than network executives expected.  Rosewood joined other new shows with Black leads including Minority Report on FOX, starring Meagan Good and The Player on NBC, starring Wesley Snipes.

What we see now is the beginning of something that should have always existed—Black actors can have roles that traditionally would have gone to white actors.

Rosewood-Morris-Chestnut-812x522

Rosewood is a prime example of a show a typical white actor would have starred in just five years ago. The fact that network is willing to put a Black actor in a leading role is a step in the right direction.

More Black series are slated to be released later this year, including ABC’s Uncle Buck, starring comedian Mike Epps. NBC’s The Carmichael Show, which debuted in late summer, has been approved for a full season (though Craig Robinson’s Mr. Robinson will not be renewed). Producer Will Packer also has two new projects in development, both at NBC Universal, according to Shadow and Act. Packer has an overall deal which was recently extended through 2017.

As Black television shows continue to produce big numbers, expect more diverse programming in the near future.

Democracy needs journalism it can trust.

This election season, the stakes are higher than usual — and so is the pressure on newsrooms to soften their coverage, stay quiet, or just disappear. Independent reporting, the kind that answers to readers instead of advertisers or political pressure, matters more in a moment like this, not less.

For over 14 years, Atlanta Black Star has stayed independent and reader-funded. We have no corporate owner and no shareholders telling us what to cover or how to cover it. That independence is also our biggest vulnerability: nothing protects it except readers choosing to fund it directly.

Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under in a moment like this, it's rarely the independent, reader-funded ones that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top