Netflix Offers This Poor Excuse for Lumping Diverse Set of Black Films Together

Gina Prince-Bythewood

Gina Prince-Bythewood

 

What do films and television shows and films like The Coalition, A Different World, Beyond The Lights, Mysterious Ways, The Game, My Favorite Five, Tyler Perry’s Temptation, Pastor Brown, Being Mary Jane, Peeples, Fruitvale Station, Tyler Perry’s The Single Mom’s Club, Braxton Family Values, Tyler Perry’s A Madea Christmas, and Bebe’s Kids all have in common?  Despite these films and television shows being a mixed bag of genres starring a Black cast, all these films appeared by clicking Netflix’s “More Like This” option while viewing information related to Beyond the Lights.

Gina Prince-Bythewood’s romantic drama about a pop star falling in love with a police officer with political aspirations is a touching love story. Instead of providing options related to the genre of her acclaimed film, Netflix has lumped it in with other films starring a Black cast. The director voiced her frustration and disappointment about Netflix’s algorithms in a recent series of tweets.

“The “more like this” on @netflix speaks directly to the issues we face in hollywood,” she tweeted. “ is a love story and a music film. where is the notebook, notting hill, walk the line, dreamgirls? what algorithm do they use? the same that is used by studios –if there are black actors in it, only black folks will want to watch it. got to stop.”

The only film with a prominent white cast that was a suggested title through Beyond The Lights was the Robert Pattinson’s film, Remember Me.

It’s also a bit disheartening to see similar results after clicking other Black films.  Fruitvale Station is a drama, through and through.  Yet, films and television shows like Belly, Pastor Brown, Two Can Play That Game, A Different World and wait for it… Master P’s I Got The Hook Up all show up when using the “More Like This” feature.

After Prince-Bythewood’s Twitter comments, she tweeted that the CCO of Netflix responded, and after a long conversation, the director seemed to feel a little more positive.

“In regards 2 “more like this” he says it is strictly statistical based on audience not human — people who watched beyond the lights also watched these films,” she tweeted. “Over time, as more people, i.e. broader audience watches, the titles will supposedly broaden. Maybe instead of “more like this” it should say “viewers also watched this” which is more accurate.”

There is a silver lining— at least Beyond The Lights was spared the fate of being lumped in with I Got The Hook Up.  That would just be wrong.

Still independent.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top