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Nigerian Author Chimamanda Ngozi Adichie Wins Fiction Prize with ‘Americanah’

Chimamanda-Ngozi-AdichieChimamanda Ngozi Adichie’s first novel was longlisted for the Man Booker Prize; her second, “Half of a Yellow Sun,” won the Orange prize. Now her third, the acclaimed “Americanah,” has beaten Donna Tartt’s  “The Goldfinch” to win the Nigerian author one of the most prestigious literary prizes in the U.S., the National Book Critics Circle (NBCC) Award.

Adichie’s story of a Nigerian blogger who returns to her home country from the U.S. to meet the man who was her childhood sweetheart, was much-praised in the U.K.; The Guardian called it “impressive [and] subtle, but not afraid to pull its punches”; and The Telegraph said it was “a brilliant exploration of being African in America”. Now the NBCC Awards – the only U.S. prize judged by critics – has also chosen to honor the novel. On Thursday, announced the “love story, immigrant’s tale and acute snapshot of our times” as the winner of its best novel prize, ahead of “The Goldfinch,” Ruth Ozeki’s “A Tale for the Time Being,” Javiar Marías’s “The Infatuations” and Alice McDermott’s “Someone.”

“Americanah,” which has also just been long listed for the Baileys Women’s Prize for Fiction, alongside titles by Evie Wyld, Elizabeth Gilbert and Booker-winner, Eleanor Catton, had previously found favor among U.S. book reviewers. The New York Times called it “witheringly trenchant and hugely empathetic, both worldly and geographically precise, a novel that holds the discomfiting realities of our times fearlessly before us”, and the Washington Post said it contained “a ruthless honesty about the ugly and beautiful sides” of the United States and Nigeria.

At the ceremony on Thursday, Sheri Fink’s “extraordinary reconstruction” of the days following Hurricane Katrina, “Five Days at Memorial,” won the NBCC non-fiction prize, and Frank Bidart took the poetry award for his collection “Metaphysical Dog,” which “continues his lifelong exploration of the big questions,” said the NBCC. “Farewell, Fred Voodoo” by Amy Wilentz, a “gritty, surprising” memoir based on her years reporting from Haiti, won the autobiography award; the biography prize was taken by Leo Damrosch’s “spellbinding” life of Jonathan Swift; and Anthony Marra’s “A Constellation of Vital Phenoma” won the first John Leonard prize for an outstanding debut book in any genre.


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