‘About Last Night’ Writer Fought Against Racial Stereotypes When Re-Writing Script

About Last Night writer opens up about racist movie industry “About Last Night” writer Leslye Headland opened up recently about how she refused to plug racial stereotypes and racist jokes into her rewrite for the romantic comedy after a Black crew was cast.

Headland was given the responsibility of rewriting the script after Kevin Hart, Michael Ealy, Regina Hall and Joy Bryant were cast as the lead characters.

In an article she wrote for The Hollywood Reporter, Headland said she was  instructed to change only the dynamics in the relationships between characters but she was soon bombarded with racist jokes.

Luckily, it was never people she worked with who were asking her to change the script simply because the cast was Black.

“The only note was to make the secondary characters (Bernie and Joan) equal to the two protagonists (Dan and Debbie),” she wrote. “A pretty cool directive given that the ‘best friends’ in romantic comedies are almost always commenting from the sidelines. It was a nice way to change up the old formula… There was no discussion of changing the characters’ lifestyles or any of the storyline as a result of casting Black actors.”

The reactions from other people in the industry, on the other hand, were very different.

Headland explained that, as a white writer, she encountered the type of racism that still exists in the movie industry.

“I had some very interesting reactions to the casting specifically from white people who work in the movie industry,” she continued. “While I was doing the rewrite, I got dozens of really mean jokes most of which I don’t feel comfortable putting into writing here because they were sometimes racist and always hurtful. The most clever one (still lame) was: ‘How’s your David Blamet script going?’ It was like my script was suddenly not as good or less than or just plain not cool because of the casting. Whatever. Those people suck.”

Before Headland even finished the first version of the script she told herself, “Don’t write jokes, Leslye. Write people.”

That’s exactly what Headland did and the relatable yet hilarious characters have been a huge contribution to the film’s success.

Independent journalism still matters.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top