Cicely Tyson Talks Winning a Tony, Obama and More

There is a beach with fluffy sand in Cicely Tyson’s future. She can’t wait to reach it. Just don’t ask where it is.

The newly crowned Tony Award winner is counting down the days until Oct. 9, when she ends her starring role in “The Trip to Bountiful,” and relaxes in the sun and surf.

“There’s one place that I have in mind. One place. That’s where I go. And nobody knows it. I just jump on a plane and I’m gone and nobody has a number or an email or anything,” she says, smiling.

Tyson will have earned her spot in the sun after returning to Broadway after 30 years, garnering rapturous reviews, winning a Tony at age 88, and performing for an audience that included the first lady and her daughters.

“What I keep repeating to myself is, ‘All things are possible. You really just have to believe,’” she says over hot water and lemon at the Cafe Carlyle. “It gives me such great joy just to build a character that is so real to people.”

Tyson hasn’t missed a single performance since the revival of Horton Foote’s play opened its doors on March 30. She plays Carrie Watts, a widow who shares a cramped two-room apartment in Houston in 1953 with her devoted son and overbearing daughter-in-law.

Watts’ only desire is to revisit her old home in Bountiful and recapture the purpose she seemed to have lost when she left for the big city decades prior. Tyson was smitten by the play when she saw Geraldine Page in a movie version in the 1980s, and has been bugging her agent for her own “Trip to Bountiful” for years.

“I was just asking for another great role. I have been really fortunate, really blessed,” she says. “I have had the most wonderful characters to play. I thought, ‘I just want one more of those. Just one more. I won’t be greedy. I’ll move out of the way and let young folks take over.’”

Read more at TheGrio.com.

 

The ABS Newsletter — Stories that matter, in your inbox.

Independent journalism still matters.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Latest from Atlanta Black Star

Back to top