Hollywood Writing Staffs Still Lack Racial, Gender Diversity

Despite some slow progress over the last decade, women and minorities remain dramatically underrepresented on TV writing staffs, according to a UCLA/WGA West report released Tuesday. The document – the 2013 WGAW TV Staffing Report – was prepared for the WGAW by Darnell Hunt, a UCLA sociologist who is director of the Ralph J. Bunche Center for African American Studies.

The numbers are daunting: Minorities are underrepresented on TV staffs by a factor of 2 to 1 in comparison to their percentage of the population. Among executive producers, women are underrepresented by 2 to 1 and minorities by 5 to 1.

“In the Hollywood entertainment industry, unfortunately, there has all too often existed a disconnect between the writers hired to tell the stories and an America that’s increasingly diverse with each passing day,” Hunt said. The report looked at 190 shows on 28 broadcast and cable networks, which employ 1,722 writers.

“We can’t tell the whole story if only half of us write it,” said WGA West president Christopher Keyser at a morning event at which the report was presented.

There are signs of progress, albeit slow. Minority representation doubled over the last decade (2011-12 season compared with 1999-2000). But during that same period, female representation inched up a mere 5 percent — a rate of increase so sluggish that parity to men won’t be achieved for another 42 years unless faster progress is made.

Hunt remarked that he had considered subtitling the report “Pockets of Promise, Minimal Progress.”

The report also looked at age-related issues and found that for the first time, writers over 40 have over 50 percent of all staff positions. On the other hand, nearly a third of shows had no writers over 50, suggesting a sharp drop-off occurs.

Read more: TheHollywoodReporter

Subscribe To The ABS Newsletter — Get our stories in your inbox.

Independent journalism still matters.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Latest from Atlanta Black Star

Back to top