Lee Daniels Busily Shopping ‘The Butler’ as a Vehicle for Oprah and Forest Whitaker at Cannes

Lee Daniels’ White House historical drama The Butler — toplining Forest Whitaker — is taking shape, with IM Global coming aboard to sell international rights.

A number of new names have surfaced in connection to the project, including Matthew McConaughey, Cuba Gooding Jr., Terrence Howard and Alan Rickman. Oprah Winfrey, John Cusack and Jane Fonda already are aboard. CAA packged the film and is representing North American rights.

IM Global will launch The Butler to foreign buyers at the upcoming Cannes film market. Daniels will be a major presence on the Croisette; his upcoming film The Paperboy — also starring  McConaughey and Cusack — makes its world premiere this month at the Cannes Film Festival, where it’s playing in competition.

Laura Ziskin Productions and Cassian Elwes are producing The Butler, which is based on Wil Haygood’s Washington Post article about Eugene Allen, a black man who worked in the White House for eight presidents, beginning in 1952. Hilary Schor also is a producer on the film.

Allen, who will be played by Whitaker, had a unique front-row seat as political and racial history were being made — from the civil rights movement and Vietnam War to the assassinations of Martin Luther King Jr., John F. Kennedy and Robert Kennedy.

Haygood’s story was published Nov. 7, 2008, just after the election of President Obama. Allen and his wife of 65 years marveled that a black man could be president. But on Election Day, Allen cast his vote alone; his wife had died the day before. Winfrey will play Allen’s wife in The Butler.

Danny Strong and Daniels wrote the script. Many of the roles might be cameos.

The Butler would mark Winfrey’s first appearance in a live-action movie since Beloved, the Jonathan Demme-directed drama adapted from a Toni Morrison book.

To read the rest of Pamela McClintock’s article, go to the Hollywood Reporter

Subscribe To The ABS Newsletter — Get our stories in your inbox.

Independent journalism still matters.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Latest from Atlanta Black Star

Back to top