Stallone Plans to Hit Broadway with ‘Rocky,’ the Musical

It has been a knockout in Germany, and now Sylvester Stallone hopes a musical based on his beloved boxing film Rocky will also be a hit on Broadway.

Producers said they plan to get Rocky up and punching at the Winter Garden by February following a successful debut in Hamburg last autumn.

Based on the Oscar-winning 1976 film, the musical features a score by Ragtime veterans Stephen Flaherty and Lynn Ahrens, and a story by Thomas Meehan, who wrote The Producers and Hairspray.

Originally written in English but translated into German for its world premiere and billed as Rocky: Das Musical, the show is produced by Stallone and Stage Entertainment USA.

“The reason I think it has worked so well there and why I think it’ll work on Broadway is that, yes, it’s a story about boxing, but the real story is actually an intimate, powerful and gritty and moving love story between two people who are both lonely and in a difficult place in their worlds,” said Bill Taylor, managing director of Stage Entertainment USA. “They sort of rescue each other. It’s very uplifting.”

The musical stays close to the film, which charted the rise and romance of amateur boxer and debt collector Rocky Balboa, played in Germany by Drew Sarich. No casting has been decided for New York.

In the story, Balboa, nicknamed the Italian Stallion, gets his shot against undefeated heavyweight champion Apollo Creed, played in the film by Carl Weathers. He also woos a love interest, Adrianna “Adrian” Pennino. Stallone wrote the screenplay and it won the best picture Oscar in 1976.

The film made famous the image of Balboa running up the steps of the Philadelphia Museum of Art and the quote “Yo, Adrian!” The German production kept the trumpet-laden funky theme Gonna Fly Now and the anthem Eye Of The Tiger, written for Rocky III. Both will also be in the Broadway version…

 Read More:independent.co.uk

Democracy needs journalism it can trust.

This election season, the stakes are higher than usual — and so is the pressure on newsrooms to soften their coverage, stay quiet, or just disappear. Independent reporting, the kind that answers to readers instead of advertisers or political pressure, matters more in a moment like this, not less.

For over 14 years, Atlanta Black Star has stayed independent and reader-funded. We have no corporate owner and no shareholders telling us what to cover or how to cover it. That independence is also our biggest vulnerability: nothing protects it except readers choosing to fund it directly.

Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under in a moment like this, it's rarely the independent, reader-funded ones that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top