Viewers Shocked at How Much Disney Got Right with ‘Iwájú,’ the Afro-Futuristic Animated Series Showing What Nigeria Would Be Like In 100 Years

“Iwájú” is a new Disney Animation sci-fi series that’s tremendously entertaining to watch, showing an interpretation of what Lagos, Nigeria, might look like one hundred years into the future.

Spoiler alert: There are flying cars.

The six-episode series, which premiered on Disney+ on Feb. 28 and is coming to the Disney Channel on April 22, is definitely worth spending a few hours binge-watching.

At first glance, you might think this is another typical Disney blockbuster. It’s loaded with endearing characters and a hopeful story about overcoming obstacles. But the series tackles surprisingly deeper subjects than most kid-centric animated fare, and that could be thanks to the African animation team behind the project.

For the first time in Disney’s 100-year history, Disney teamed up with an outside studio, Kugali Media, who are based in Africa and the U.K. Voiced by Nigerian actors and featuring a score by Nigerian composer Ré Olunuga, the collab reflects the vision of producer and director Olufikayo Ziki Adeola — and there’s nothing else like it on TV right now.

“Iwájú” means “the future” in the Yoruba language, and the series — which began as a comic book anthology — explores how technology impacts the lives of the citizens of Lagos. In “Iwájú,” we follow Tola (Simisola Gbadamosi), a 10-year-old girl from the island, and her best friend Kole (Siji Soetan), a self-taught tech wiz from the mainland. The two get involved with a 7-foot-tall crime boss, Bude (Femi Branch), who rules the mainland, and the show is stuffed to the gills with fascinating imagery of futuristic city life.

But we’re also reminded of a hard truth: societal divides and class segregation are stubborn and pernicious.

“‘Iwájú was born from my personal desire to tell a story about Lagos because one of the unique things I noticed is how the geography actually supports the societal divide in a way that is very stark,” Adeola, who grew up in Nigeria’s largest city, told IndieWire. “In Lagos, the wealthy people live on the island, and the working class and poor people live on the mainland, by and large. So you literally have a body of water separating rich and poor. And so I thought that was a really interesting foundation upon which to build a science-fiction story.”

“The theme of inequality was the first one that became really apparent to me, but I personally like aspirational stories because I think hope is really important to the human spirit,” he added.

The movie attempts to bring Lagos to life in an authentic way, including references to local snacks like puff-puffs and recreating the vibrancy of outdoor markets in painstaking detail.

Fans have already taken to social media to share how proud they are of the new Afro-centric show.

“I’m 5 mins into #Iwaju and I’m soo happy Disney made a show for the African kids man. I wish I had a Nigerian cartoon like this when I was kid,” a viewer wrote.

“Watching iwaju and I acc want to cry. The accents are legit naij accents. The set actually looks like Lagos. Even the animated hair looks like 4c hair. I’ve never felt seen like this on a mainstream platform. I’m just speechless,” shared another.

You can now stream all six episodes on Disney+.

Democracy needs journalism it can trust.

This election season, the stakes are higher than usual — and so is the pressure on newsrooms to soften their coverage, stay quiet, or just disappear. Independent reporting, the kind that answers to readers instead of advertisers or political pressure, matters more in a moment like this, not less.

For over 14 years, Atlanta Black Star has stayed independent and reader-funded. We have no corporate owner and no shareholders telling us what to cover or how to cover it. That independence is also our biggest vulnerability: nothing protects it except readers choosing to fund it directly.

Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under in a moment like this, it's rarely the independent, reader-funded ones that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top