Kenya Barris Says People Should Learn More About His Real Family Before Accusing Him of Colorism

Kenya Barris has been knee-deep in controversy about his new Netflix show “#blackAF” since it was announced. He responded again to it during an interview on T.I.’s “expediTIously” podcast that surfaced online Wednesday, April 29.

Rashida Jones plays Barris’ wife, and most of the actors who play his children have fair complexions.

Kenya Barris responded again to the colorism claims that have been lodged against his show “#blackAF.” (Photo: “expediTIously” podcast screenshot)

Barris — who’s the creator of “Black-ish,” “Grown-ish” and “Mixed-ish” — said that while he understands how important the issue of colorism is to people, he feels the backlash has been misapplied to him. He explained that the cast wasn’t selected just for their acting skills but there was another reason they were chosen.

“This is based on my family,” he told T.I. at around the 9:54 mark. “She’s playing a version of my wife, who’s biracial. … She’s playing a version of that character. My kids, what Rashida and I could produce, look like those kids, who are amazing. … I talked about, like, informing ourselves a little bit more.”

Barris and Dr. Raina Edwards-Barris, an anesthesiologist, announced last year that they were divorcing after 20 years of marriage. The two have six children.

“I think everyone’s experience and everyone’s opinion in terms of, you know, colorism are real, and I understand that, but if you just dug a little bit under the surface, you would understand that this was based upon, it’s biographical. … I was trying to duplicate a version of what my family was,” said Barris.

The cast of the show was announced late last year, and the colorism accusations quickly followed. A new wave of criticism came when it premiered in April.

“I’m over the somewhat dark skin dad, light skin mom, and mixed kids narrative that is supposed to represent the Black family. Kenya Barris literally writes the same narrative, but with different actors/actresses,” read one person’s tweet. “He really tried it with #blackAF.”

Barris told T.I. that he wants people to give him their honest feedback of “#blackAF,” but he also wants them to research and learn why he chose those specific actors.

“I think that would have calmed a lot of the natives, but at the same time, I think it’s important that it didn’t, ’cause it speaks to the ideas that there is so much colorism in the world, and it shows how important this is to people, so I take the good with the bad,” he explained. “The ignorant I have a little bit of a problem with, but I take opinions good with the bad, because if you listen to any of them you gotta listen to all of them.”

The biracial Jones — who’s the daughter of Quincy Jones and the late Peggy Lipton, an actress — hasn’t responded to the criticism surrounding the show or her character yet, but she told Variety that some of the storylines on “#blackAF” pull from Barris’ life and her own.

“Kenya and I have talked a lot about first- and second-generation black wealth and how it intersects in Hollywood and what that means and what that feels like,” she said last month. “The pressure and the dysfunction that can come from that.”

Still independent.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top