Gabrielle Union’s New Show ‘L.A.’s Finest’ Halts Production After On-Set Accident That Left Black Showrunner Hospitalized

A bad accident occurred Thursday, Feb. 21, on the set of Gabrielle Union‘s new Spectrum show “L.A’s Finest,” which also stars Jessica Alba, and it temporarily shut down production.

According to Deadline, an action sequence shooting went awry when a stunt car hit a cargo crate, which then struck the video village, a place where the director and others sit to watch footage.

Production has been halted after an accident occurred on the set of Gabrielle Union's new show "L.A.'s Finest"

Gabrielle Union. (Photo: Instagram)

Neither Union or Alba was hurt during the crash, but the show’s producers and co-runners Brandon Sonnier and Brandon Margolis were injured.

Margolis was released from the hospital shortly afterward, but Sonnier — who’s one of the few Black Hollywood showrunners — had to remain and was later transferred to another facility. Upon checking his social media pages there’s no word on his current condition, but reportedly his injuries are not life-threatening.

“We are saddened by this incident and send our most heartfelt wishes to our two beloved crew members, hoping their recovery is both swift and complete,” said the head of Spectrum Originals Katherine Pope in a statement on Thursday.

“L.A.’s Finest,” which premieres on March 13, follows Union’s character Sydney Burnett, who was also in “Bad Boys 2” with Will Smith and Martin Lawrence. The third installment of the film “Bad Boys For Life” is currently in production, but, according to IMDb, Union won’t be in it.

As far as the accident on “L.A.’s Finest,” it’s now being investigated by the California Occupational Safety and Health Administration after they were contacted by Mesquite Productions, as well as the L.A. Port Police.

The show was in the final days of production before the accident, and the final day of shooting has been pushed back.

Democracy needs journalism it can trust.

This election season, the stakes are higher than usual — and so is the pressure on newsrooms to soften their coverage, stay quiet, or just disappear. Independent reporting, the kind that answers to readers instead of advertisers or political pressure, matters more in a moment like this, not less.

For over 14 years, Atlanta Black Star has stayed independent and reader-funded. We have no corporate owner and no shareholders telling us what to cover or how to cover it. That independence is also our biggest vulnerability: nothing protects it except readers choosing to fund it directly.

Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under in a moment like this, it's rarely the independent, reader-funded ones that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top