9 Internationally Acclaimed Black Dance Companies Besides Alvin Ailey

Dancers of the Dallas Black Dance Theater. Photo courtesy of DBDT.com

Dancers of the Dallas Black Dance Theater. Photo courtesy of DBDT.com

Dallas Black Dance Theater (Dallas, Texas)
The Dallas Black Dance Theater, established in 1976 by Ann Williams, was created to encourage minority boys and girls to express their creativity through dance and the arts. It began as a community-based semi-professional organization but has since grown into a fully professional dance company. According to DBDT.com, the theater is known for its “its rich cultural diversity, history of inclusion, and high-level of artistic excellence in contemporary modern dance and educational programs.” The company has performed in 31 states and 14 countries including Peru, Austria, Japan, Italy, Canada, Great Britain, Uganda and South Africa.

 

The Philadelphia Dance Company. Photo courtesy of StAugustine.com

The Philadelphia Dance Company. Photo courtesy of StAugustine.com

PHILADANCO (Philadelphia, Pennsylvania) –
Founded by Joan Myers Brown in 1970, the Philadelphia Dance Company, also known as PHILADANCO, was formed to provide opportunities for Black dancers, who were often systematically barred from joining local dance schools. The troupe has blossomed into a professional dance company and is rooted in the principles of “providing opportunity, inclusion and hope” to dancers of color. PHILADANCO performs sold-out shows nationally and internationally for audiences of diverse racial and ethnic backgrounds.

Democracy needs journalism it can trust.

This election season, the stakes are higher than usual — and so is the pressure on newsrooms to soften their coverage, stay quiet, or just disappear. Independent reporting, the kind that answers to readers instead of advertisers or political pressure, matters more in a moment like this, not less.

For over 14 years, Atlanta Black Star has stayed independent and reader-funded. We have no corporate owner and no shareholders telling us what to cover or how to cover it. That independence is also our biggest vulnerability: nothing protects it except readers choosing to fund it directly.

Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under in a moment like this, it's rarely the independent, reader-funded ones that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top