Does Jada Pinkett Smith’s New Show Represent Another Addition to the Racially-Driven Drama Genre?

Jada Pinkett SmithJada Pinkett Smith is set to star in and executive produce the new drama series Murder Town.  Pinkett Smith will play a lawyer who becomes the first Black district attorney of Wilmington, Delaware.  She’s prosecuting a polarizing, racially charged case while being confronted by old enemies and emerging revelations from her murdered husband’s death.  Pinkett Smith is coming off a strong turn as Fish Mooney on Fox’s hit show Gotham.  Her commitment to Murder Town is the latest addition to a growing trend of dramas led by Black women.

Over the last few years, ABC in particular has filled this niche with Kerry Washington on Scandal, Viola Davis on How To Get Away With Murder, and Regina King on the first season of American Crime.  Another addition to this genre is the untitled mini-series starring Sanaa Lathan and produced by Gina Prince-Bythewood, about an African-American police officer shooting and killing a white teenager.  Lathan will play a special investigator in charge of navigating the delicacy of public relations, media attention and the hostile atmosphere enveloping the circumstances.  All of these shows deal with racial matters, which have boiled over and colored the national landscape over the last several years.  The difference is that now there are the Black voices both in front and behind the scenes on these prime time shows.

Given the undeniable success of Shonda Rhimes’ Scandal and How To Get Away With Murder,  Murder Town’s prospects for success are significantly higher, lending credence to the idea that perhaps we are on the cusp of a new age in television, where meaty roles for Black women on television exist.

Democracy needs journalism it can trust.

This election season, the stakes are higher than usual — and so is the pressure on newsrooms to soften their coverage, stay quiet, or just disappear. Independent reporting, the kind that answers to readers instead of advertisers or political pressure, matters more in a moment like this, not less.

For over 14 years, Atlanta Black Star has stayed independent and reader-funded. We have no corporate owner and no shareholders telling us what to cover or how to cover it. That independence is also our biggest vulnerability: nothing protects it except readers choosing to fund it directly.

Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under in a moment like this, it's rarely the independent, reader-funded ones that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top