‘In Between Stories’ Documentary Debunks Stereotypes About Africans

In Between Stories is a short 2012 documentary directed by Roda Siad. Originally Siad’s master’s thesis in media production at Ryerson University, the film offers a portrait of four young artists of African descent living and working in Toronto. The film draws a connection between one-dimensional media portrayals that focus on war and crisis in Africa, and negative perceptions of predominantly black communities in Toronto. The false depiction of Africa—and by extension Africans—as chaotic, violent, and dangerous, Siad’s film implies, leads to similar stereotypes being applied to Africans in the diaspora. The film’s subjects, however, offer a way out of this miasma. Watch it first:

The four artists depicted in the film are creating works that often directly address and seek to counter both stereotypes of Africa, and of communities such as Toronto’s Regent Park. At the same time, their own intelligence, creativity, and talent demonstrate (and it is regrettable that, in some quarters, such a thing remains necessary) that there is much more to the African diaspora than crime and violence.

The perspectives of Africans living in Europe and North America (many of which can be found on this website!) provide a valuable counterweight to Western media portrayals of the continent. Too often, however, these voices are marginalized because disaporic Africans too are victims of stereotyping. (Not to mention the structural racism and sexism that sees most senior positions in the media filled by white men.) In Between Stories performs the important service of drawing attention to these problems and of giving voice to young Africans’ perspectives on Africa.

Source: africasacountry.com

 

 

Still independent.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top