Jazz Takes Center Stage in Children’s Books

Tonight at 7:30, the 2013 NEA Jazz Masters awards ceremony and concert will be webcast live from Dizzy’s Club Coca-Cola at Jazz at Lincoln Center. While we hope you’ll tune in, the event also seemed like a good time for the Big Read to explore how jazz has been approached in children’s literature. Below are a few picture books that do a wonderful job of using illustrations and text to showcase the sounds, history and personalities of jazz.

This Jazz Man by Karen Ehrhardt / Illustrated by R.G. Roth

Riffing on the popular children’s tune “This Old Man,” this book is a foot-tapping, finger-snapping journey through counting. As the text swings its way from one to ten, various jazz legends make appearances in gorgeous, retro-inspired illustrations by R.G. Roth.

Squeak, Rumble, Whomp! Whomp! Whomp! by Wynton Marsalis / Illustrated by Paul Rogers

At the NEA, we’re very familiar with Wynton Marsalis’s musical prowess. Not only was the trumpet player named an NEA Jazz Master in 2011, but he is also the host of tonight’s concert in New York. But as it turns out, Marsalis is as talented a writer as he is a musician. In this “sonic adventure” of a book, readers are shown how everyday sounds and noises—from a creaking door to a rumbling truck — form their own sort of symphony. It’s a lovely reminder of how an artistic eye — or in this case ear — can make even the ordinary seem extraordinary.

Skit-Scat Raggedy Cat: Ella Fitzgerald by Roxane Orgill / Illustrated by Sean Qualls

In addition to NEA Jazz Masters who double as authors, a few of our honorees have been the subjects of children’s books as well. Ella Fitzgerald, a 1985 NEA Jazz Master, is the subject of Skit-Scat Raggedy Cat, which traces the singer’s remarkable journey. We meet her during the difficult, orphaned days of her childhood, applaud at her debut at Harlem’s Apollo Theater, and finally celebrate as she receives worldwide recognition as the “First Lady of Song.”

Read more: Rebecca Gross, The Big Read

 

 

 

Independent journalism still matters.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top