‘Wild With Happy’: A Son Deals With Himself as He Deals With the Death of His Mother

“Mothers are dead in fairy tales,” snaps Gil, the snap-happy protagonist of “Wild With Happy,” a sweet, funny and forgivably sentimental new play written by and starring Colman Domingo. Gil’s mother is dead too, but his life is no fairy tale. At 40 he’s still recovering from a breakup with a boyfriend, he’s all but given up on his career as an actor, and he’s the sourpuss spreading gloom at Disney World.

Toting around his mother’s ashes in an urn, he is being chased by his slightly demented aunt, who burns with bitterness at his lack of respect for traditional burial. Where’s that Prince Charming when you really need him?

Mr. Domingo, a magnetic, versatile actor who received a Tony nomination for “The Scottsboro Boys” and was most recently seen in the Off Broadway revival of Athol Fugard’s“Blood Knot,” established his name as a promising playwright with “A Boy and His Soul,” an engaging autobiographical solo show at the Vineyard Theater. “Wild With Happy,” which opened on Tuesday night at the Public Theater in a cartoon-bright production directed by Robert O’Hara, is essentially the story of a boy and his soul, too.

For despite his four decades, Gil spends much of the evening seething like a kid who’s just had his jumbo bag of Twizzlers snatched from his hands. Unhinged by the sudden death of his mother and the guilt he feels over neglecting her while his life tilted into chaos, he heads back to his native Philadelphia from New York hoping to wrap things up quickly, and at minimal expense — both emotional and monetary…

Read more: NY Times

Subscribe To The ABS Newsletter — Get our stories in your inbox.

Independent journalism still matters.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Latest from Atlanta Black Star

Back to top