Conservative’s Michael Moore—Dinesh D’Souza’s ‘2016: Obama’s America’, The Hottest Political Documentary of Year – Video

LOS ANGELES – While it hasn’t yet reached the lofty level of 2004’s Fahrenheit 9/11 at the box office, 2016: Obama’s America has become the hottest political documentary of the year.

And it comes from Hollywood’s conservative corner, a spot usually reserved for faith-based movies.

Produced by Dinesh D’Souza, who wrote the book on which the film is based, 2016 cracked the top 10 for the third straight week — rare for a documentary, let alone a political one.

But the film’s message — that the Obama administration would run amok if re-elected — has found a larger audience than analysts expected.

The film opened on one screen — a theater in Houston ordered the movie from small production house Rocky Mountain Pictures — when it premiered July 13.

But 2016 earned $31,000 that weekend, prompting distributors to expand the movie to 10 theaters Aug. 3.

Today, it’s playing on more than 2,000 screens and has collected $26.1 million, the sixth-highest-grossing documentary of all time, says Hollywood.com.

“The conservatives (found) their Michael Moore,” says John Hamann of Boxofficeprophets.com, referring to the controversial director of Fahrenheit 9/11 and Capitalism: A Love Story.

That includes some of Moore’s divisiveness. The film has sparked debate among bloggers and critics over whether 2016 is a documentary or a political screed.

The movie “is a work of propaganda that offers base innuendo in lieu of argument,” writes Richard Brody of The New Yorker column The Front Row. “It’s the kind of personal production that calls into question the very virtue of sincerity.”

Others say the movie — and its director — will mark a sea change for the industry.

“Republicans often bemoan the fact that they don’t have Hollywood celebrities on their side,” writes Dave Berg of the conservative Washington Times. “But they’ve been handed a gift. Mr. D’Souza is a legitimate rising star …

Read more: USA Today

The ABS Newsletter — Stories that matter, in your inbox.

Independent journalism still matters.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Latest from Atlanta Black Star

Back to top