Dui Jarrod’s ‘Unholy War’ Showcases Great Performances, Amazing Storytelling, and Unapologetic Blackness

14902704_1113184592052690_625773297808731015_o

Photo by Ricky Riley

A Man Named Yves 

Playwright Dui Jarrod’s “Unholy War” is an incredible melodrama exploring the psyche of an emotionally damaged man as he tries to marry the woman of his dreams. Yves– portrayed by Cario George— is a man who has been through a lot.

As a young boy, he was abandoned by his mother and had run-ins with many of her male suitors. However, as he aged, the wounds never healed and the pain lingered on. As a man, Yves became an emotional whirlwind with a strong love for vice.

14917291_1113183162052833_1685509450930330320_o

Photo by Ricky Riley

The Garden of Eden 

Yves’ textbook case of the Oedipus Complex has made all of his relationships with women more difficult than necessary. His journey is on full display in the course of 2-hours. Weaved throughout the play is an Adam and Eve and Garden of Eden allegory that features a treacherous snake and an apple of temptation.

14940164_1113182485386234_1564425055273687487_o

Photo by Ricky Riley

Nearly 30 minutes before he is due to marry his bride-to-be Amy (Valerie Sue Love), the damaged photographer is pulled between his two good groomsmen (portrayed by Moses Jones and Brandon Dunn) and the snake also known as JP portrayed by actor Anthony E. Williams. But Yves is quickly reminded of the great times he had with strippers and previous lovers. Eventually, he forgets about his perfect Amy.

14876551_1113184868719329_6476521853275785726_o-min

Photo by Ricky Riley

It All Falls Down 

The external conflict becomes internal and Yves’s fragile mind breaks. He subsequently falls back into old habits — the cocaine use and rough sex. So he leaves his perfect woman for an old flame (played by actress Ernestine Johnson) that still ignites his passion.

And this old lover, a blue-green haired woman, captures his attention once more as he continues to spiral downward into an cocaine induced hellscape. They fight, argue over past events and broken aspirations, but they still want each other. That is until JP shows up again.

14890345_1113185662052583_849691099026237028_o-min

Photo by Ricky Riley

The Final Curtain 

Even though there are tense moments, there is also comedy among the tragedy. In some ways, “Unholy War” is a perfect marriage between films like David Lynch’s 1986 masterwork “Blue Velvet” and a ’50s melodrama. Additionally, the cast delivered the goods. Performance from lead actor Cario George, Anthony E. Williams and Ernestine Johnson gave audiences an indulgent and memorable theater-going experience.

“Unholy War” was directed by Rhavynn Drummer, an Atlanta based Casting Director who has worked with filmmaker Tyler Perry. In fact, Drummer began her career casting at Tyler Perry Studios where she cast 13 feature films, six television shows, and seven theatrical productions.

Some of Drummer’s credits include “The Family that Preys,” “Why did I Get Married Too?” “The Marriage Counselor” and the recent television series’ “The Haves and The Have Nots” and “If Loving You is Wrong” on the Oprah Winfrey Network.

Furthermore, “Unholy War” is Jarrod’s fourth play that premiered in a workshop at the Brooklyn School of Music Playhouse back in November of 2013. Over the course of the writer’s career, he has worked for BET, MTV Voices and other studios as a director.

The show is currently playing in Atlanta, Georgia at the 7 Stages Theatre Nov. 5-7.

Independent journalism still matters.

We hope this story was worth your time. For over 14 years, Atlanta Black Star has stayed Black-owned and independently run. We didn't get here by waiting on ad budgets that were never built to prioritize us. Our readers did that.

Corporate support for Black media has always been thin. Outlets like ours get roughly 1% of the $170 billion spent on U.S. advertising each year, and that margin is shrinking further as advertisers walk back the DEI-linked commitments they made in 2020. That's the backdrop. It's not why we're asking.

The wider picture isn't any steadier. Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under, it's rarely the ones built to center a Black perspective from the ground up that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top