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Questlove: D’Angelo Album Sure to be an Instant Classic

By | Published on January 22, 2013
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If anyone knows the latest on the near-reclusive R&B sage who goes by the name D’Angelo, it would be Roots drummer and NYU professor, ambassador Questlove.

Lately, he’s spent a great deal of his free time outside of “Late Night With Jimmy Fallon” laying down drum tracks for D’Angelo’s perennially-anticipated follow-up to 2000’s classic LP, “Voodoo.” And according to Quest, not only is the album nearly finished, it’s sounding like an instant classic.

“I’m heading out to Asia right now praying that we’re still on schedule for when we said we were going to turn that record in,” Questlove told Billboard. “All last week, I was in the studio finishing (the album). We spent close to 18 hours, well not me personally because I have to go to ‘Fallon,’ but usually right after work. He’s the only person that I’ll actually go to the studio with and stay there to 6 in the morning, re-doing these drum parts. I won’t even do that for my own band, but I’ll do it for him. Right now, we’re just tightening up the loose ends. But I still stand by, 99% of it is done.”

Since its 2000 release, “Voodoo” has been almost universally acclaimed — a sprawling, effortlessly visionary work that sounded incredibly ahead of its time, yet brought D’s many muses (Stevie Wonder, George Clinton, Marvin Gaye, etc.) into present-day context. Questlove’s got similarly strong words to describe D’Angelo’s long-brewing third LP:

“I would not be far off by saying this is probably my generation’s version of Sly (and the Family Stone’s) ‘There’s a Riot Goin’ On.’ It’s potent. It’s funky. It’s an extremely hard pill to swallow. He’s one of those artists that have, of course, taken 13 years to follow up a record. It’s going to take you about 10 years to digest this record. Totally brilliant. Just the way this society works with music… being able to judge if something is a classic after the first listen, you can do that after 30 seconds on this. And the fact that we started this record in 2004, and it still sounds like it came out five years from now, it is a testament to the timelessness of it.”

Read more: Billboard

 

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