Long-Lost ‘African Mona Lisa’ Painting By Nigerian Artist Smashes Expectations at London Auction

African Mona Lisa

The “African Mona Lisa,” painted by Nigerian artist Ben Enwonwu, became a symbol of peace following ethnic clashes in the Nigerian–Biafran conflict of the 1960’s . (Photo by Ben Stansall/AFP/Getty Images)

After decades of being lost, a portrait of a Nigerian princess dubbed the “African Mona Lisa” sold at a London auction this week for £1.2 million ($1.7 million), smashing initial estimates.

The painting, a 1974 portrait of Adetutu “Tutu” Ademiluyi by Nigerian artist Ben Enwonwu, was projected to earn up to £300,000 ($414,000) when it went up for sale at the Bonhams auction house, Agence France-Presse reported. The likeness of the Ife royal princess recently turned up in a London apartment after having been missing for decades.

“The portrait of Tutu is a national icon in Nigeria, and of huge cultural significance,” said Giles Peppiatt, Bonham’s director of modern African art, who discovered the work after a family in north London contacted him. He said the family was shocked to learn the painting was a “missing masterpiece.”

“It’s very exciting to have played a part in the discovery and sale of this remarkable work,” he added.

According to AFP, Enwonwu is considered the father of Nigerian modernism. He created three paintings of “TuTu,” the locations of which remained a mystery until this most recent discovery. The portraits served as symbols of peace following a war among ethnic groups during the Nigerian–Biafran conflict of the late ’60s.

“It has been a legendary painting for 40 years, everybody keeps talking about Tutu, saying ‘where is Tutu?’ ” said acclaimed novelist Ben Okri, who told the AFP the portrait has taken somewhat of a mythical status back in his native Nigeria.

“He wasn’t just painting the girl, he was painting the whole tradition,” he said of Enwonwu. “It’s a symbol of hope and regeneration to Nigeria, it’s a symbol of the phoenix rising.”

Enwonwu’s piece, “Negritude,” also painted in the ’70s, sold for £100,000 ($138,000) in the same sale, according to the news service.

Democracy needs journalism it can trust.

This election season, the stakes are higher than usual — and so is the pressure on newsrooms to soften their coverage, stay quiet, or just disappear. Independent reporting, the kind that answers to readers instead of advertisers or political pressure, matters more in a moment like this, not less.

For over 14 years, Atlanta Black Star has stayed independent and reader-funded. We have no corporate owner and no shareholders telling us what to cover or how to cover it. That independence is also our biggest vulnerability: nothing protects it except readers choosing to fund it directly.

Newspaper ad revenue has fallen more than 80% since 2005, and local newsrooms are closing at a rate of roughly two a week nationwide. When outlets go under in a moment like this, it's rarely the independent, reader-funded ones that get to stick around.

We know a request for support isn't why you came here. But without readers choosing to fund this work directly, the depth of reporting we can do at home and abroad shrinks along with everyone else's. If you're not in a position to give, that doesn't change how much we value you as a reader.

If you are able to, a recurring contribution does more for us than a single one-time gift, because it lets us plan the next investigation instead of just the next invoice. It takes about 30 seconds, no long form, no account. Thank you for continuing to support independent journalism and freedom of the press.

Back to top